"Seamus Miller handles his multiple assignments in dynamic fashion; he is particularly vivid as the conspirator Decius."
http://www.baltimoresun.com/entertainment/arts/artsmash/bs-wk-arts-story-1006-story.html
"The guy is flat-out funny, and obviously a skilled actor who knows his craft."
http://dcmetrotheaterarts.com/2016/03/06/wild-oats-chesapeake-shakespeare/
"BEST FEATURED ACTOR IN A PLAY" - DCMTA 2014
http://dcmetrotheaterarts.com/2015/01/03/dcmetrotheaterarts-best-of-2014-best-performances-in-a-professional-theatre-play/
"Miller performs the speech with such deep and tremulous passion that immediately it’s as if he is alone on stage and owns it—no mean achievement in a cast as superb as this one."
http://dcmetrotheaterarts.com/2014/08/17/scene-stealers-week-ending-august-17-20141/
"A wide range of inflections spice Seamus Miller's sure-footed portrayal of Harry; he manages to get right to edge of spilling over into total foppishness, but always pulls back."
http://www.baltimoresun.com/entertainment/arts/artsmash/bs-ae-arts-story-0318-20160317-story.html
"Seamus Miller is suitably subdued as Fiver, a vulnerable office grunt-turned-fortuneteller who contributes key vocal talent."
http://www.washingtonpost.com/entertainment/theater_dance/pol-pot-and-associates-llp-at-callan-theatre-a-wonky-talky-whodunit/2014/08/11/73b0b43c-217a-11e4-8b10-7db129976abb_story.html
“Seamus Miller [...] makes vivid contributions throughout.”
http://articles.baltimoresun.com/2014-06-17/entertainment/bal-single-carrot-theatre-stages-the-apocalypse-comes-at-6pm-20140617_1_single-carrot-theatre-genevieve-de-mahy-lisi-stoessel
“Seamus Miller is cast as Polonius' son, Laertes, delivering a compelling portrayal filled with emotional honesty that expresses his devotion to his sister and father.”
http://articles.baltimoresun.com/2014-04-03/news/bs-md-ar-johnson-hamlet-20140403_1_hamlet-friend-horatio-annapolis-shakespeare-company
“Giving one of the most remarkable performances of the production is Laertes (Séamus Miller.) While he spends most of the time away and off-stage, when Miller returns to the news of Polonius’ death; the rage that surges forth from his is unbelievable [...] the instability of his character’s mental state at that point so wildly fuming that it is terrifying to look upon. Miller delivers a flawless recital of his forceful speech in that moment [...] His final moments on stage are delivered with equal tenacity and ferocity though the emotional scope is far different.”
http://dcmetrotheaterarts.com/2014/03/30/hamlet-annapolis-shakespeare-company/
“Rugby (Séamus Miller) is a servant who hilariously translates the halting English and mimics the eccentric habits of his boss, the French doctor, Caius.”
http://dcmetrotheaterarts.com/2014/02/16/the-merry-wives-of-windsor-at-chesapeake-theatre-company-by-amanda-gunther/
“Miller takes Harry, a character that could be a one-note political speaker in lesser hands, and finds a way to imbue him with depth.”
http://dctheatrescene.com/2013/09/17/pitmen-painters/
“[Jones’] scene arguing with Miller’s Marxist Harry over the presence of Freudian symbols in his political art is a true gem.”
http://www.mdtheatreguide.com/2013/09/theatre-review-the-pitmen-painters-at-1st-stage/
“Miller—who among other feats performs as both hot-headed Laertes and Player King—has the benefit of several star turns throughout the evening, and clearly holds his own.”
http://www.mdtheatreguide.com/2013/07/theatre-review-hamlet-by-the-baltimore-shakespeare-factory/
“Miller (Ross) exudes a raw physicality that compels your attention.”
http://dcmetrotheaterarts.com/2013/03/24/voodoo-macbeth-at-the-american-century-theater-by-david-friscic/
“Miller is a younger, sexier, and yet more sinister Malvolio than we’ve seen before.”
http://www.womanaroundtown.com/sections/playing-around/twelfth-night-with-a-twist
http://www.baltimoresun.com/entertainment/arts/artsmash/bs-wk-arts-story-1006-story.html
"The guy is flat-out funny, and obviously a skilled actor who knows his craft."
http://dcmetrotheaterarts.com/2016/03/06/wild-oats-chesapeake-shakespeare/
"BEST FEATURED ACTOR IN A PLAY" - DCMTA 2014
http://dcmetrotheaterarts.com/2015/01/03/dcmetrotheaterarts-best-of-2014-best-performances-in-a-professional-theatre-play/
"Miller performs the speech with such deep and tremulous passion that immediately it’s as if he is alone on stage and owns it—no mean achievement in a cast as superb as this one."
http://dcmetrotheaterarts.com/2014/08/17/scene-stealers-week-ending-august-17-20141/
"A wide range of inflections spice Seamus Miller's sure-footed portrayal of Harry; he manages to get right to edge of spilling over into total foppishness, but always pulls back."
http://www.baltimoresun.com/entertainment/arts/artsmash/bs-ae-arts-story-0318-20160317-story.html
"Seamus Miller is suitably subdued as Fiver, a vulnerable office grunt-turned-fortuneteller who contributes key vocal talent."
http://www.washingtonpost.com/entertainment/theater_dance/pol-pot-and-associates-llp-at-callan-theatre-a-wonky-talky-whodunit/2014/08/11/73b0b43c-217a-11e4-8b10-7db129976abb_story.html
“Seamus Miller [...] makes vivid contributions throughout.”
http://articles.baltimoresun.com/2014-06-17/entertainment/bal-single-carrot-theatre-stages-the-apocalypse-comes-at-6pm-20140617_1_single-carrot-theatre-genevieve-de-mahy-lisi-stoessel
“Seamus Miller is cast as Polonius' son, Laertes, delivering a compelling portrayal filled with emotional honesty that expresses his devotion to his sister and father.”
http://articles.baltimoresun.com/2014-04-03/news/bs-md-ar-johnson-hamlet-20140403_1_hamlet-friend-horatio-annapolis-shakespeare-company
“Giving one of the most remarkable performances of the production is Laertes (Séamus Miller.) While he spends most of the time away and off-stage, when Miller returns to the news of Polonius’ death; the rage that surges forth from his is unbelievable [...] the instability of his character’s mental state at that point so wildly fuming that it is terrifying to look upon. Miller delivers a flawless recital of his forceful speech in that moment [...] His final moments on stage are delivered with equal tenacity and ferocity though the emotional scope is far different.”
http://dcmetrotheaterarts.com/2014/03/30/hamlet-annapolis-shakespeare-company/
“Rugby (Séamus Miller) is a servant who hilariously translates the halting English and mimics the eccentric habits of his boss, the French doctor, Caius.”
http://dcmetrotheaterarts.com/2014/02/16/the-merry-wives-of-windsor-at-chesapeake-theatre-company-by-amanda-gunther/
“Miller takes Harry, a character that could be a one-note political speaker in lesser hands, and finds a way to imbue him with depth.”
http://dctheatrescene.com/2013/09/17/pitmen-painters/
“[Jones’] scene arguing with Miller’s Marxist Harry over the presence of Freudian symbols in his political art is a true gem.”
http://www.mdtheatreguide.com/2013/09/theatre-review-the-pitmen-painters-at-1st-stage/
“Miller—who among other feats performs as both hot-headed Laertes and Player King—has the benefit of several star turns throughout the evening, and clearly holds his own.”
http://www.mdtheatreguide.com/2013/07/theatre-review-hamlet-by-the-baltimore-shakespeare-factory/
“Miller (Ross) exudes a raw physicality that compels your attention.”
http://dcmetrotheaterarts.com/2013/03/24/voodoo-macbeth-at-the-american-century-theater-by-david-friscic/
“Miller is a younger, sexier, and yet more sinister Malvolio than we’ve seen before.”
http://www.womanaroundtown.com/sections/playing-around/twelfth-night-with-a-twist